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Still from Maya Deren and Alexander Hammid’s experimental short film Meshes of the Afternoon, 1943
Film still from Alejandro Jodorowsky’s ‘Fando y Lis’, 1968
Still photo of Diana Mariscal, from Alejandro Jodorowsky’s Fando y Lis, 1968
Promotional poster collage for Alejandro Jodorowsky’s Fando y Lis, 1968
inneroptics: “Reflections on Black” by Brakhage, Stan director
inneroptics: Stan Brakhage, Reflections on Black (1955)
oorequiemoo: Kissa Kouprine in Henri d’Ursel short film “La perle” Belgium 1929 This dreamlike film is a cinematic poem. —— See the Film: Henri d’Ursel | La Perle | 1929 | Pt. 1 of 4 Henri d’Ursel | La Perle | 1929 | Pt. 2 of 4 Henri
Still from Jean Cocteau’s The Testament of Orpheus, 1960
Marcel Duchamp’s Anemic Cinema, a seven minute film made in collaboration with Man Ray and Marc Allégret, 1926. Ten ‘Optical Disks’ alternate with nine 'Disks Inscribed with Puns’.
Promotional poster for Alejandro Jordorowsky’s Fando y Lis, 1968
lottereinigerforever: Antonioni short film “Superstizione”
Man with a Movie Camera is a 1929 experimental silent documentary film by Soviet director Dziga Vertov, co-authored with his brother Mikhail Kaufman, and edited by his wife Elizaveta Svilova. The film presents urban life in the Ukrainian cities of
Still from Dziga Vertov’s experimental silent documentary film Man With a Movie Camera, 1929
Hans Richter - Dreams That Money Can Buy, 1947
robertdowneys: Salvador Dalí’s surrealist dream sequence in— Spellbound (1945) dir. Alfred Hitchcock
mizoguchi: Meshes of the Afternoon (Maya Deren and Alexander Hammid - 1943)
inneroptics: Bill Morrison, Decasia: The State of Decay, 2002
miss-catastrofes-naturales: Hans Richter Filmstudie (1926)
Mi Puñado De Esplín
Jaroslav Rössler Untitled (composition with film-strip), ca. 1926
miss-catastrofes-naturales: Katrien De Blauwer Film Noir #1
Ingmar Bergman, The Silence (1963)
Guy Maddin, Brand Upon the Brain! (2006)
Jean Cocteau, Orphée (1950)
365filmsbyauroranocte: Films watched in 2015.Film 147: Funeral Parade of Roses (Toshio Matsumoto, 1969)Nota: 7.5/10“I am the wound and the blade, both the torturer and he who is flayed”
lepasau-dela: Maya Deren, An Anagram of Ideas on Art, Form and Film (1946)
365filmsbyauroranocte: Films watched in 2015.Film 150: L’hypothèse du tableau volé (a.k.a. The Hypothesis of the Stolen Painting) (Raoul Ruiz, 1979) Nota: 6.5/10“What do you see? What do you feel? Is it pain or is it ecstasy that keeps you afloat
teknari: Handmade film negative with acrylic paint on paper inverted.
365filmsbyauroranocte: Films watched in 2015.Film 181: Through a Glass Darkly (Ingmar Bergman, 1961)Nota: 9/10“I know I’ve been ill and that my illness was like a dream.”Turbadora e infinitamente dolorosa. Además toca un tema, el de la esquizofrenia,
365filmsbyauroranocte: Films watched in 2015.Film 139: Le testament d'Orphée (a.k.a. Testament of Orpheus) (Jean Cocteau, 1959)Nota: 6.5/10“-And what is a poet?-One who, by making poems uses a language neither alive or dead which few people speak
Film
jailhouse41: Press photo for The Man Who Put His Will On Film (東京戦争戦後秘話), 1970, directed by Nagisa Oshima (大島渚) and starring Sukio Fukuoka (福岡杉夫).
c-inefilia: Russian ark (2002), A. Sokurov“Look…the sea is all around. We are destined to sail forever. To live forever.”“Maybe the first film in which I tried to filter through myself, as a filmmaker, the amazing phenomenon of the inseparability
zazayuki: Susu Laroche is the photographer and film maker based in London, known for her dreamy analogue photos of her muses from London.
iconophages: Rene Clair and Francis Picabia’s breakthrough, reversible ending of their Dadaist film, L’entr-acte (1924)
christinelucylatimer: Polaroid 4x5 sheet film (printed from handmade slide comprised of india ink, honey and hair)
film-cult: La Jetée (1962) dir. by Chris Marker
lepasau-dela: From Frans Zwartjes 1970 film Spectator.
dwnsy: Gregory Maiofis, Taste for Russian Ballet, From the series Proverbs, 2009-2011Original: analogue b.w. film, bromoil print, 100*100cm
haplologic: further abstractions on 35mm film photography, 2015 Richard Auxilio ©Auxiliofaux2012 silver gelatin print
self-shadowing-prey: The Brothers Quay, Institute Benjamenta, or This Dream People Call Human Life, 1996
neo-catharsis: Liliana Cavani, Au-delà du bien et du mal (film,1977)
secretcinema1: Violet Tinting, source: Didiée, L. (1926): Le Film vierge Pathé. Manuel de développement et de tirage. Paris: Pathé via Timeline of Historical Film Colors
alfiusdebux: Still from the film Meshes of the Afternoon, 1943, Maya Deren & Alexander Hammid. [source]
giftvintage: Greta Garbo and John Gilbert, in Clarence Brown’s film, “The Flesh and the Devil,” 1926.
violentwavesofemotion: Film & Literary Letters: Absolutely enchanting Louise Brooks in Diary Of A Lost Girl (1929) dir. by G.W. Pabst // Anne Sexton, from A Self-Portrait In Letters
silent-films: The River, 1928.
kirgiakos: Précis de décomposition, Eric Rondepierre. Photography from anonymous vintage silent film archives from the 1930s-1950s.
c-inefilia: “ …I also believe that watching a film, to a large degree, is a kind of auto-suggestion.”Europa/Zentropa (1991), Lars von Trier
nemfrog: Superimposed glass eyeballs from Han Richter’s Film Study, 1926. An introduction to the American underground film. 1967.
nemfrog: “This scene from Facescapes reveals some of (Stan) VanDerBeek’s technique with collage.” An introduction to the American underground film. 1967.
horizontalfall: Film still from Persona (1966), dir. Ingmar Bergman
anthologyfilmarchives: “A film is a machine made of images” - Hollis Frampton, 1975
le-flaneur-visuel: A Short Film About Killing, Krzysztof Kieślowski (1988)
le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa Oshima (1970) ^ My new film blog for anyone interested. ^_^
surrealist-phantoms: I added links to my kink blogs on the sidebar for anyone interested (18+). Personal and film blogs are there as well, and I believe submissions are open on all but the film one. Do what you will with that information (enjoy?).
nobrashfestivity: Hans Richter, Dreams That Money Can Buy The film was produced by Kenneth Macpherson and Peggy Guggenheim Collaborators included Max Ernst, Marcel Duchamp, Man Ray, Alexander Calder, Darius Milhaud and Fernand Léger. The film won
garadinervi: (from) László Moholy-Nagy, Malerei, Fotografie, Film (German, 2nd ed., 1925-1927) / Painting, Photography, Film (English, transaltion by J. Seligman, 1969) (info and pdfs via Monoskop Log)
![alfiusdebux: Still from the film Meshes of the Afternoon, 1943, Maya Deren & Alexander Hammid. [source]](https://69.media.tumblr.com/c8f2ef863066ef676308c0a52502dd60/tumblr_nq0b5zg3mc1rdwik4o2_r1_250.jpg)
